- #BEST KONTAKT ORCHESTRA LIBRARY SERIAL NUMBERS#
- #BEST KONTAKT ORCHESTRA LIBRARY FULL#
- #BEST KONTAKT ORCHESTRA LIBRARY SOFTWARE#
How much time do you want to spend learning it? This can have huge implications on the RAM footprint of a library.ĭo you want exact individual samples or smearing with movement, for example? Some libraries are now offering blended options with samples of smeared phrases that are playable. Intimate, dry, epic, wet?ĭo you need premade ensembles, or are you prepared to make them?ĭo you want or need mic choice - some libraries offer the option to mess around with mics in the GUI, as if you had recorded your piece live. Here are some of the questions to consider…
#BEST KONTAKT ORCHESTRA LIBRARY SERIAL NUMBERS#
Kontakt allows individual libraries to have their own GUI but in a familiar framework - which speeds up workflow.Īll the libraries are accessible via the Kontakt library browser and many are even NKS compatible, meaning that if you own a Komplete Kontrol keyboard, you can see keyswitches light up like a third Heathrow runway… Serial numbers are all registered via the Native Access plugin portal, which means not getting used to multiple methods for registration too.
#BEST KONTAKT ORCHESTRA LIBRARY FULL#
It comes in two flavours, “PLAYER” (free) and FULL (paid for).
Many sample libraries, not just orchestral sample libraries, have thrown their lot in with Native Instruments Kontakt - as a means to house their sounds. This is a very basic list, and as you can see it’s a pretty daunting prospect both for any library manufacturer as well as for the prospective user looking to choose between the libraries. Make sure that the workflow is similar between libraries within the same GUI Make a GUI that the user can quickly understand and work with.Ĭraft the scripts so that “modelled” elements blend with recorded elements. Then record legato movement for each of the above, from every note to every other note to capture the way that each instrument “transitions” from one note to the next.Ĭapture these recordings with multiple microphone setups (traditionally close, stage/room and Decca tree) Record different configurations of instrument families to form ensembles. Record every chromatic note of each instrument played at three, four or even five different velocities and with every conceivable articulation Take an orchestra into a studio or soundstage. How Are Traditional Orchestral Sample Libraries Made? Here are some examples to help you compare:įirst, as a reference here is a clip using the EXS24… The best way to judge the difference between the “stock” orchestral sounds found in DAW ROMplers like Logic’s EXS24 and bespoke made instruments is to hear it.
#BEST KONTAKT ORCHESTRA LIBRARY SOFTWARE#
We’ll then move on to look at “The other side of the DAW” - sounds that are usable and available for use in notation software like Sibelius and StaffPad (a new iPad/surface notation package) and wrap up with a bonus article about starter orchestral libraries - usable both by beginners and those needing a quick solution. Within each family, he’ll reveal his “desert island choice” as well as other recommendations. He will also be looking at his favourite associated software that helps him to add realism to the sounds.
He will examine the pros and cons and what he uses those sounds for, as well as notable alternatives. In this series of articles, composer David Tobin is going to split the orchestra up into families and look at his personal favourites. So, you want to buy some orchestral samples - but where do you start? This is a huge topic and not one we can cover in one article.